So we’ve had one of those kind of springs. An overcast, rainy, drizzly, foggy, chilly, turn-on-the-furnace, will-the-sun-ever-come-out, I’m-gonna-stick-my-head-in-an-oven-if-it-doesn’t-clear-up-soon spring. Despite the lack of sunlight, I fell in love with Spring this year. The beauty overwhelmed me.
The budding leaves on the trees glowed neon green. Every window in my house framed dazzling squares of bright, yellowy-green glaze, and every trip into town offered views of wide, verdant expanses from the ridges overlooking lush valleys of oak and maple and birch and beech trees budding out after a long, snowy winter.
My Reiki instructor reminded me that green is the color of the heart chakra, the energy center that corresponds with compassion, unconditional love, forgiveness, faith, receptivity, and acceptance. Either all that green was feeding my heart chakra, or my heart chakra was so energized I was drawn to all that green, or perhaps the energy and the color and the season were all just aligned for me this year so that despite the rain and gloom I was able to feel hope and love and faith for a brighter future.
Later in the season, the light color will deepen into emerald and forest and moss, but this early spring . . . well, it was all golden-green, the color Robert Frost wrote about in his short poem “Nothing Gold Can Stay.”
Nothing Gold Can Stay
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Award-winning poet, Dana Gioia, wrote an excellent essay about Frost’s 1923 poem. In the essay,“On Robert Frost’s Nothing Gold Can Stay,” Gioia contrasts this type of short poem with more the formalized forms of sonnets and epigrams. He talks about the construction of the poem, simplicity of the words Frost chose to use, and the movement from nature themes to philosophical observation about the passage of time.
This poem could be depressing, like the rainy weather, a note on the ephemeral qualities of youth giving way to duller attributes. Okay, true, but here’s the thing about life–it goes in cycles. Yes, this rainy yet somehow bright green spring will yield to summer and heat and dust and shady spots beneath the mature leaves of the trees. And, yes, the leaves will dry up and fall in autumn, and the branches will seem bare and dead through another long winter, but then . . . Spring, once again!
Nowhere is this more apparent than in my perennial flower beds. Year after year, these plants die back in the fall and then come back to life once again in the spring, bursting out of the cold wet ground and spreading themselves up and out to catch the fall of rain and (theoretically this year) the rays of sunlight.
Most of these plants are divisions from friends’ and my mother’s flower beds, and because I’ve never been too interested in the science of horticulture (I’m more interested in having pretty gardens) I rarely even bother to find out the names of the plants. A quick search this morning for “purple flowers ground covers” brought up pictures that seemed to match my bunchy cluster of purple flowers with heart-shaped leaves that grows on the north-east side of my front steps. If I’m right, this is Lamium maculatum, a ground-cover than does well in partial shade. It has come back bigger and better than ever each year. I highly recommend this hardy perennial if you are more of a putterer and less of a horticulturalist in the garden.
This is another Lamium, with the more characteristic dark-rimmed silvery foliage and pink flowers. I love the way it looks against the rock, so delicate and pretty.
Meanwhile, out in Nature’s garden, otherwise known as “the woods” or “the side of the road,” this red Trillium briefly blazed like the red star she is. My friend Sandi (check out her Waughtercolors artwork on deviantART
) and I noticed these beautiful ephemerals while on an early-morning bike ride one cloudy-but-not-quite-rainy spring day. Spring ephemerals are woodland plants that bloom and go to seed very quickly. Like Frost’s spring gold, they quickly fade to something less spectacular, but while they are here, oh boy! Beautiful. And maybe all the more appreciated because of their ephemeral quality?
Like youth and poetry. For me, a poem is an ephemeral thing, capturing a brief moment in time, a fleeting feeling, an impression.
When I was newly graduated from the University of Maine at Farmington, I got it into my head to write a sonnet sequence. I was inspired by Elizabeth Barrett Browning’s SONNETS FROM THE PORTUGUESE.
I was young. I was in love, newly married. I wanted to chronicle that time in my life. So I wrote 48 poems. Three are lost. I think I sent them to a magazine and when they were returned in my SASE, I failed to put them back in the pile. I didn’t know back then that my urge to create poetry would fade, like the browning blossoms I wrote about that spring in 1992. Lately, though, that poetic part of me has regenerated, perhaps part of a creative cycle like Gaia’s seasons?
Anyway, most of the sonnets are horrible (I keep them for sentimental reasons), but I’ll share one not so horrible one that seems appropriate to the season. Enjoy this brief season, Dear Reader. Summer is right around the corner.
A FEW BLOOMS BROWNING
I used to climb into the apple trees,
their white-pink blossoms browning in the heat
of waning spring, and dangling dusty feet
and toes in childish peace among the leaves,
I began to dream of love. The breeze
that swayed the branch was new and sweet
with whispers I would blow to meet
the wind. How easily it was to please
the innocence of me until I sighed
another moment at the solitary sound
a songbird made upon an upper bough.
Weighted with the song, I sat and cried
because that sad and sudden beauty tore
from me the child that I had been before.